The Italian producer Enrico Ghezzi commissioned the movie to Jean-Marie Straub and Danièle Huillet to celebrate Roberto Rossellini's centenary. Asked to imagine a moment in the life or the death of Ingrid Bergman's character in Europa '51, their reading of Rossellini yielded this political pamphlet about the death of two Parisian youngsters who, chased by the police, hid in a high-voltage electric transformer and burned to death. Less than three weeks after their death, the banlieus were burning.

The Italian producer Enrico Ghezzi commissioned the movie to Jean-Marie Straub and Danièle Huillet to celebrate Roberto Rossellini's centenary. Asked to imagine a moment in the life or the death of Ingrid Bergman's character in Europa '51, their reading of Rossellini yielded this political pamphlet about the death of two Parisian youngsters who, chased by the police, hid in a high-voltage electric transformer and burned to death. Less than three weeks after their death, the banlieus were burning.

A metaphysical kammerspiel about political fight, betrayal, madness, focusing on a exiled communist couple during a train journey in the early months of WWII.

Martha, Yasmin, Jamie and Sam live in a shared apartment in Kreuzberg. Martha is from France, Yasmin from Germany, Jamie from the U.S. and Sam from Cameroon. They sit in their kitchen, cook for each other and dance together. But, compared to his flatmates, Sam left his country, because he needed to take refuge. The camera subtly catches the inequity that evolves between the four characters. Club Europe is a film about millennials who want to act more supportive and altruistic than their parents and need to face the question how far they really want to go in order to help.

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In 1995, a severe drought forced Americans to flee the West for the cities. Water became more precious than gold. Now in 2005, settlers are coming back, meeting new challenges, and age-old adversaries. A U.S. Marshal and his cyborg partner patrol the American West. A hard-as-nails female boss heads two U.S. Marshals (one human, one bionic) in Badlands 2005, a concept where the near future sees water as a more precious commodity than gold. The West of America has been deserted after droughts a decade earlier, and now a re-population program is underway.

骁勇善战的秦朝大将军蒙毅（成龙 饰）受秦始皇所命，负责护送玉漱公主（金喜善 饰）入秦为妃，一路上彼此情愫暗生，可蒙毅还是选择了效忠君主。秦始皇病危，蒙毅去拿长生不老药并战死沙场。而公主试药成功，在秦王死后被禁在秦王陵中…… 几千年后，梦中的神秘白衣女子缠绕考古学家Jack（成龙 饰）多年，一次好友William（梁家辉 饰）邀他一同前往印度探险，高僧告诉Jack他被一段前世缘分困扰，Jack来到古都，开始了寻梦之旅。Jack乘直升机到郦山上空，冒险跃入瀑布，情景一如梦境。但与此同时，却有歹人一直尾随。在秦王陵中又会有什么情景？千古神话能够延续吗？

Alice lives at her parents' place at the age of 27 with no private life or a relationship. Her birthday night out ends in a bicycle accident and a short coma to make her realize, it’s time to move out. 　　源自：https://www.miyu.fr/production/en/27-en/

It is not enough to see or hear something once, there is always the need for repetition. Aside from maintaining a detailed diary, I continually document fragments of everyday life with my camera. The images I record never satisfy lived experience, they are simply marks that are barely able to prevent memory from completely vanishing. I never anticipate what images I’ll be able to capture. I only save them as a sign that something was there, or that I was there. “Recollection” is a troubling thing. What is filmed fails to supplement memory. Recorded images are left to haunt the mind, rendering true recollection impossible. In spite of this, I can’t help but rely on these images derived from reality, observing them over and over again. Perhaps, waiting for them to fulfill a potential some 60 years from now. Even if the image is a corpse, the work itself is a living thing. For in the end, there is always the need for repetition.